Darius Dolatyari-Dolatdoust’s approach revolves around the making of costumes, which he considers in turn as a space for transformation and hybridization, a choreographic score, in its capacity to modify our relationship to the body, to dance and to language. The garment becomes a means of questioning his identity, whether by summoning his Iranian origins, by donning costumes inspired by Persian works in the Louvre, or by deconstructing our relationship of domination to other species, by imagining hybrid creatures at the border of the human and the animal. As a Visual Artist is main medium is textile, which he use to make patchworks, paintings, costumes and scenographies. His patchworks are like stories, trying to catch a moment of movement, often between fighting and loving, between violence and love. Bodies are melting in which other, becoming shape of colors inside the patchwork. These textile works are also used for setting up installations, activated by site-specific performances. He has designed the costumes and scenography for the creations of Pau Simon (La grande remontée), Liam War-ren (Merge), Grégoire Schaller (Ekkrino, Mata, Ordeal by water) and Renaud Dallet (Voir, toucher, s’aimer fort).