Third Space
Plasma Contemporary
Plasma Contemporary presents A Walk Through Beliefs (2026), a site-specific interactive installation by Poojan Gupta that transforms approximately 105,000 discarded pharmaceutical blister pockets into a passageway reflecting on healing, devotion, and collective memory.
Collected over several years and meticulously joined by hand, the empty blister packs become contemporary votive offerings, recalling devotional practices in which threads, cloth, and other materials are left at sacred sites as expressions of wishes, prayers, and gratitude. Drawing inspiration from Hindu temple architecture, Gupta invites visitors to move through a transitional space where the everyday and the sacred converge.
Each punctured cavity carries the trace of a consumed medicine and the hope of relief, transforming pharmaceutical waste into a material record of human vulnerability and resilience. Situated at the intersection of medical science, health consumerism, spirituality, and environmentalism, the installation asks us to reconsider our relationship with the objects that pass through our bodies and lives, revealing how even discarded materials can hold stories of care, belief, and the desire to heal.
Info
Paris
plasmacontemporary.com
For inquiries:
Lois Valvi
plasmacontemporary@gmail.com
+33 7 67 53 98 66
Exhibited artists
Poojan Gupta
Poojan Gupta (b. 1998, India) is an artist whose practice centres on discarded pharmaceutical blister packs, transforming an overlooked material of everyday life into large-scale sculptures and installations. Since 2019, Gupta has collected approximately 550,000 discarded packs, developing an ongoing material investigation into care, healing, ritual, and waste.
For Gupta, the empty blister pack carries more than the trace of a consumed medicine. Each punctured pocket marks a moment when the body, illness, and the hope of healing were briefly held together. Through accumulation, assemblage, and meticulous handwork, these disposable objects acquire a new material and symbolic significance.
Her practice draws on Hindu ritual traditions, sacred philosophy and beliefs, particularly devotional exploring how ordinary acts such as taking medicine can take on spiritual and emotional dimensions. Gupta’s work brings contemporary concerns around pharmaceutical waste into dialogue under questions of belief, care, and the ways quotidian objects can shape our understanding of everyday experience.
Gupta is a Member of the Royal Society of Sculptors (MRSS), London, and an Associate Artist at the Oxford Centre for Hindu Studies, Oxford.



