Of Mountains and Seas
Lahore Biennale Foundation
Under the banner of Grow and as part of the focus on South Asia, Asia NOW is proud to host a multigenerational selection of artists featured in Of Mountains and Seas, the ecologically-themed 2024 edition of the Lahore Biennale, curated by John Tain.
Among the participants are Hamra Abbas and Imran Qureshi, two leading artists working in Pakistan today. They each deploy local crafts such as stone inlay and blue and white ceramics as a way to lend historical perspective in addressing the region’s specific ecologies — all the more so as their works were originally displayed in the sixteenth-century Mughal heritage of Shalimar Gardens and Lahore Fort, renowned today as UNESCO World Heritage Sites.
They are joined by Feroza Hakeem, whose painting adapts the centuries-old miniature tradition to speak to current issues affecting the minority Hazara community, of which Hakeem is a member. Meanwhile, Fazal Rizvi engages the coexistence of human and geological time by looking to the country’s north, where the Himalayas, Karakorum, and Hindu Kush meet. Collectively, the artists suggest the continuing vitality of art in Pakistan, its unique emphasis on innovation within tradition, and the diversity of the country’s cultures and communities.
Meanwhile, two interactive performances will activate the public spaces of the Monnaie de Paris. Artist and activist Abuzar Madhu invites viewers to a ceremony bearing witness to the realities of Lahore’s historic River Ravi, increasingly threatened by pollution and mass-scale diversion. Rizvi, with Baneen Mirza (of the nomadic collective Khanabadosh Baithak), offers a performance that nourishes fair goers spiritually, intellectually, and culinarily, while emphasizing human beings’ connections to one another and to the earth.
Reflecting the Biennale’s broader goal of connecting contemporary artists of Pakistan with their peers from elsewhere, the curated presentation also includes Mella Jaarsma, whose textile installation, produced between Yogyakarta, Indonesia, where the artist is based, and Lahore, Pakistan, creates space for dialogue about land use and its ecological effects in the two Asian countries.
The global scope of the Biennale artists continues in the program of video works, mostly commissioned for the Biennale, including Sin Wai Kin, Stolon Press (Simryn Gill and Tom Stolon), Zheng Bo, and Gidree Bawlee (Salma Jamal Mousham and Kamrazzaman Shadhin), in addition to Bani Abidi and Fazal Rizvi.
Though only a fraction of the sixty-one artists who participated in Lahore Biennale 03 (2024) will be on view at Asia NOW, the presentation nevertheless gives a sense of the unique blend of cultural heritage and contemporary dynamism found in Pakistan today, as well as of the contribution the Lahore Biennale Foundation seeks to make to society through its global presentation of contemporary art.
The project is generously powered by the French Embassy to Pakistan, with in-kind support from Pakistan International Airlines.
© Mella Jaarsma, “Blanket Talk Series 2”, 2024
© Feroza Hakim, “Khorshid Fruit”, 2024
© Hamra Abbas, “Aerial Studies”, 2023
© Imran Qureshi, “Water Bodies”, 2024
Performances
© Abuzar Madhu, Partitioned Waters, 2024
© Abuzar Madhu, Partitioned Waters, 2024
Working individually and with the Ravi Bachao Tehreek (the River Ravi Defence Movement) over the last few years, Madhu has worked in solidarity with boatsmen, fisherfolk, farmers, and others whose livelihoods are threatened by pollution, large dams, speculative real estate, the forces of capitalism, and the colonial legacy of the Indus Waters Treaty. Madhu contrasts the modern ecological crisis faced by the river with the reverence once shown to it for hundreds of years by folk communities and Sufi mystics, offering a poignant reminder of how people’s lives are intimately connected with more-than-human entities. In Partitioned Waters, Madhu invites audience members to commune with the waters, to witness its wounds, and to offer it their blessings.
Abuzar Madhu (b.1992) is a researcher, performance and visual artist, and activist based in Lahore. A graduate of the National College of Arts, Madhu is currently teaching as visiting faculty in different institutes. In addition to environmental activism, Madhu’s practice also comprises collecting the folk stories of communities living along the banks of the Ravi River.
© Fazal Rizvi & Baneen Mirza, from hand to hand to hands
Exploring memory, touch, and ritual, the artists turn the preparation and shaping of dough into a poetic and culinary gesture. By creating and sharing hand-shaped savory and sweet recipes, rich with personal and cultural references, they invite the audience to engage sensorially, holding, tasting, and experiencing the material and text together.
© Fazal Rizvi, “How to Become a Rock – a fall, a poem, a wish, a score, a manifesto”, 2024



