Third Space
Brief Shalimar X Zara Sajid
A non-profit association, Brief Shalimar is committed to building communities through artistic and cultural activations, especially in the Asian and Anglophone diaspora space in Paris. Their activations run via volunteerships, sponsorships, and value-exchange partnerships.
Halfway Garden recalls the gulshan of Faiz Ahmed Faiz, the garden that recurs in his poetry as a site of longing, promise, and deferred spring, while simultaneously playing off the notion of the halfway house, a place of transition, of being neither fully here nor there. Together, they evoke the liminality of the diaspora and expat experience, a garden constantly in the making, between homelands.
The selected artists engage with questions of identity, belonging, cultural memory, and contemporary social realities through practices that are both locally grounded and globally relevant. The exhibition invites the viewer to simply sit and reflect on a variety of contemporary political movements, their demands and their needs. Movements ranging from the Pakistani feminist protests in 2019 “Aurat March” (Women’s March) to the feminist protests in Paris. It invites us to question our role in actively moulding and reforming institutions assumed to be concrete and infallible, through solidarity, raising our voices and some caustic commentary.
Info
44 Rue Notre Dame des Champs — 75006 Paris
https://briefshalimar.com/
For inquiries:
Fiona McDonnell
briefshalimar@gmail.com
+33 7 66 76 87 98
Exhibited artists
Abi Tariq
Born in Karachi, Pakistan – Lives and works in Paris
Born in Karachi, Pakistan, living and working in Paris, France, Abi is an artist and cultural worker whose creative practice extends beyond artistic creation to include writing, organising, curating, facilitating and producing, always with a social and political dimension. He considers himself a middle-man.
In 2017, with the support of the Cité Internationale des Arts, he designed the role-playing performance Middle-Man to bring works by French artists Virgile Fraisse, (La) Horde, and Jean Hubert to the first Karachi Biennale. In 2018 he represented France in the Erasmus+ program Culture Backstage and since 2014 has collaborated closely with Australian artist Honi Ryan’s international performance project, the Silent Dinners. Abi has an MFA from Transart Institute (Berlin/NY) and a BFA from L’École Parsons à Paris (now Paris College of Art). Since 2020, Abi has been working at the heart of AFIELD, a grant-giving organisation and international network of cultural changemakers; From conceiving knowledge and skill sharing programs to the design and production of large-scale convenings, the impact of Abi’s creative practice is made tangible in the unique ‘social choreography’ that AFIELD deploys.
Amna Mawaz
Born in Islamabad, Pakistan – Lives and works in Germany
Amna began her training at 11 years old, in various dance forms of South Asia under the maestro Indu Mitha in her hometown of Islamabad. After a decade of training, Amna was one of a handful of Mitha’s students to present her solo performance in Bharathanatyam after a decade of training. When she was 17 years old, she joined the movement against the dictatorship of General Pervez Musharraf, and it was with her comrades in the struggle that she learnt of the importance of intersecting socio-political themes with those of performance and embodied culture. She continued to practice, teach and learn dance, and eventually joined the Pakistan National Council of Arts in Islamabad, under the direction of Jamal Shah. It was here that she trained and choreographed dance theatre pieces such as Situation 101, Barzakh and Mehergarh for the National Performing Arts Group. Amna combined theatre, poetry and dance performance to create pieces for progressive circles and for the streets in Pakistan. In 2020, she moved to Germany with her partner and child, and completed a second Master’s at Heidelberg University, where she continues to politically organize, as well as teaches dance that is rooted in South Asia, yet experiments with everything that inspires her.
Zahra Mansoor & Juliet Lazek
Pakistani painter and performance artist, Zahra Mansoor, and Polish video-journalist, Juliet Lazek, compose Shy Bride Video Services. The two have danced between visual art and technology, since meeting at their alma mater, the Parsons School of Design.
Painting, performing, and hosting parties between Paris, Karachi, and New York City, Zahra Mansoor’s practice lives in liminal spaces, revelling in the tensions between duty and desire, and the public and private. Mansoor studies how Sufism is linked to Western metaphysics and Jungian theory. Her paintings explore hybridity through moments of repose, and tensions created by acts of revealing and concealing. Parallel to her painting practice, Mansoor engages in acts of public intervention as a first-hand investigation into third spaces.
Specializing in lens-based media, Juliet Lazek’s practice moves between filmmaking, documentary, medium format, 35mm, and digital photography. She currently works as a researcher and creative content producer between Karachi, London, and Paris, with a focus on Middle Eastern History. Her practice focuses on synthesizing history with visual arts, using film and photography to document critical events and explore the intersections of memory, activism, and storytelling.
Misha Japanwala & Aleena Naqvi
Misha Japanwala (b. 1995) is a Pakistani artist and fashion designer whose practice is rooted in a philosophy of radical shamelessness/بے غیرتی (beghairati)— that reclaims the body from cultures of shame, control and silence. Her work documents marginalized bodies as sites of resistance, healing and reclamation.
Aleena Naqvi is an award-winning Pakistani fashion photographer, known for her cinematic, emotionally layered imagery. In 2023, she made history as the first female photographer to win the Lux Style Award for Best Fashion Photographer/Videographer, followed by Fashion Photographer of the Year in 2025.
Shehzil Malik
Born in Lahore, Pakistan – Lives and works in Berlin, Germany
Shehzil is a Pakistani artist and illustrator who uses art to center human rights, feminism and stories from the Global South. Her multidisciplinary practice uses digital illustration, street art, publications and exhibitions to raise questions around justice, ethics and kindness. She was born in Lahore in 1987 and is currently based in Berlin.
Sara Farid
Born in Pakistan – Lives and works in Paris, France
Sara Farid is a Pakistani visual artist, photographer, and printmaker based in Paris. Born and raised in Pakistan, her background in documentary photography has evolved into a practice focused on alternative photographic processes and handmade forms of image-making. Working primarily with cyanotype, Farid explores themes of identity, migration, memory, resistance, and belonging. Drawing from her photographic series, she transforms documentary images through light, chemistry, paper, and hand-printing. She is interested in the space between personal history and collective experience, and in how images can carry traces of memory and stories of displacement.
Farid embraces the imperfections and unpredictability of the cyanotype process, allowing the physical qualities of the print to become part of the work. She holds a Master of Arts from the École Européenne Supérieure d’Art de Bretagne (EESAB), Rennes. Her work has been published in The New York Times and exhibited internationally.



